Screenshots.

This is the first shot of the chase sequence in the film. It is important, as it is an establishing shot, and introduces both the very normal surroundings and time of day.





This shows the biker from behind, and is slightly blurred. This shows the speed at which he is going, and also gives an impression of the character escaping, as he is in front of the viewer in the shot.





This shot is dark, and shows a large amount of the area in which we filmed, so gives the viewer more information on the background. It also shows the path which the biker and the chaser are both travelling down.





This is a screenshot from the tracking shot we employed, showing one of the characters speeding down a path onto the main road. This gives a sense of the motion involved, and the determination on his face shows his emotion, and that of the circumstances.





This shot shows the boy on his bike, with only a small bag on his back. this emphasises the shock of the situation, and how he has almost immediately attempted escape.





The body position of the chaser in this position shows the speed at which he moves. The wide shot shows the normality of the area, and also the similar circumstances surrounding the character's clothes and appearance, that of a normal teenage boy.







This photo is blurred, with only the outline of the character's bike in view. This creates an idea that the biker is extremely tired, and out of breath due to the exertion he and his adrenaline is putting on his body.







This shot shows the runner sprinting with no emotion on his face. It is slightly scary as he looks dead, but he is moving quickly. This relates to the kind of atmpsphere we wanted to create in our film, one of fear and mystery.





This shot is a wide shot, showing the background, and the gates to the abandoned house. We see him preparing to run, and you get a feel that this is a momentous part of the film.





This is a shot of our character looking distressed. This shows the severity of the situation and how he is genuinely worried for his life. We also had the mise en scene of his teenage clothes providing key realism.




This is one of the final shots of the film, showing one of our characters sprinting toward the other. We used slow motion for this scene in the film, as it is pivotal.